TE MANA O TANE

This proposal presents a vision for the development of the Ōpanuku arawhata (bridge) where mana whenua and their values inform the entire design process. In support of this is a conceptual framework that is also shaped by Te Ao Māori. Here, concepts including kaitiakitanga (environmental stewardship) and manaakitanga (hospitality) shape the process and narrative of the proposed design. Thematically, our work draws on the Māori legend of Rata, as it provide a critical lesson about respecting the whenua and Ngā Atua Māori. In doing so we seek to reinstate Māori values and approaches towards the environment and urban landscape design. In the legend of Rata, Rata enters Te Wao nui o Tāne (the great forest of Tāne) and cuts down a tree to fashion a waka for his journeys. Having felled the tree He then heads home to return the next day. To his surprise though the tree is restored. Rata cuts down the tree a number of times to find it back up again. Puzzled by this, he hides in the ngahere (forest) one evening to watch. He sees that nga tamariki o Tāne (the children of Tāne) birds and insects are putting the tree back together.

Location

Year

Auckland, NZ

2018

Client

Eke Panuku

Status

Competition

Our design takes inspiration from three interrelated areas; the legend of Rata, Māori methods for building waka and felling large trees, and the Corban Estate site and it's history. The larger bridge design and supporting elements (taurapa and tauihu) are derived from a waka tāua (war canoe). This relates directly to the Rata narrative, as in most accounts of the story Rata was attempting to build a larger canoe as opposed to a smaller waka tīwai or waka tētē. We have abstracted the waka form somewhat though as the intention is not to create a bridge that looks exactly like a waka. Instead, in our design we are hinting at both waka forms and the process behind waka building. This might mean that the bridge structure retains elements that look like branches or tree bark. Two distinct forms from waka taua, the tauihu (prow) and taurapa (stern), are placed either side of the bridge on the landing sites. This allows us to extend the waka concept into the surrounding area. The tauihu, rendered in part as a burnt tree stump, takes inspiration from traditional Māori ways of felling large trees where fires were often used. The taurapa, as a prominent structure protruding towards Ranginui, acts as a marker guiding people towards the bridge on the lower side.

References to waka building are also seen in the use of adzed like textures, lashings and toki (adze) inspired seating designs. We would also like to use charred wood textures and blackened colours throughout to again connect to the use of fires in waka building. While used to fell trees, fire was also used to burn the inside for the hull. Critically, the referencing of fire here links to the important Māori concept of ‘ahi kā’, burning fires of occupation. Here the ahi kā are those maintained by mana whenua.